5, 1922) I pini di Roma, symphonic poem (Rome, Dec.
(1920–25) Concerto gregoriano for Violin and Orch. ORCH.: Piano Concerto (1902) Suite for Organ and Strings (1902–05) Notturno (1905) Sinfonia drammatica (1913–14) Le fontane di Roma, symphonic poem (1914–16 Rome, March 11, 1917) Antiche arie e danze per liuto, 3 sets, the 3 rd for Strings (1916, 1923, 1931) Ballata delle gnomidi (1918–20 Rome, April 11, 1920) Poema autunnale for Violin and Orch. Ba11et : La Boutique fantasque, on themes by Rossini (London, June 5, 1919) Scherzo veneziano (Rome, Nov.
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23, 1934) a free transcription of Monteverdi’s Orfeo (Milan, March 16, 1935) Lucrezia (1935 Milan, Feb. 20, 1910) Marie-Victoire (1913–14 not perf.) La bella dormente nel bosco or La bella addormentata nel bosco, musical fairy tale (1916–21 Rome, April 13, 1922) Belfagor, lyric comedy (1921–22 Milan, April 26, 1923) La campana sommersa, after Hauptmann’s Die versunkene Glocke (1923–27 Hamburg, Nov. WorksĭRAMATIC: Opera: Re Enzo (Bologna, March 12, 1905) Semirama, lyric tragedy (Bologna, Nov. Rome, March 24, 1894), was his pupil she wrote a fairy opera, Fior di neve the symphonic poem Serenata di maschere and numerous songs was also a concert singer. His wife, Elsa Olivieri Sangiacomo Respighi (b. Although he wrote several operas, he achieved his greatest success with 2 symphonic poems, Le fontane di Roma and I pini di Roma, each consisting of 4 tone paintings of the Roman landscape a great innovation for the time was the insertion of a phonograph recording of a nightingale into the score of I pini di Roma. His power of evocation of the Italian scene and his ability to sustain interest without prolixity is incontestable.
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Respighi’s style of composition is a highly successful blend of songful melodies with full and rich harmonies he was one of the best masters of modern Italian music in orchestration. In 1925–26 and again in 1932 he made tours of the U.S. He was elected a member of the Italian Royal Academy on March 23, 1932. of composition at Rome’s Liceo (later Conservatorio) di Santa Cecilia in 1924, was appointed its director, but resigned in 1926, retaining only a class in advanced composition subsequently devoted himself to composing and conducting. From 1903 to 1908 he was active as a concert violinist also played the viola in the Mugellini Quartet of Bologna. Petersburg there he took lessons with Rimsky-Korsakov, which proved a decisive influence in Re-spighi’s coloristic orchestration. In 1900 he went to Russia, and played 1 st viola in the orch. Martucci at Bologna’s Liceo Musicale (1891–1900). Respighi, Ottorino, eminent Italian composer and teacher b. (1934) Vitali: Chaconne, for vn., str., org. (1924).TRANSCRIPTIONS: Monteverdi: Orfeo (1935) Lamento d'Arianna (1908) Marcello: Didone, cantata (1935) Rossini: Soirées musicales for ballet La Boutique fantasque (1919) J. (1925) Lauda per la natività del Signore, sop., cont., ten., ch., orch. (1911) La primavera, soloists, ch., orch.
(1921) Concerto in modo misolidio, pf., orch. suite (1927) Trittico Botticelliano (1927) The Birds ( Gli uccelli) (1927) Feste Romane (Roman Festivals) (1928) Metamorphosen modi XII (1930).CONCERTOS etc.: pf. pieces) (1925) Vetrate di Chiesa (Church Windows), 4 symphonic impressions (1925) Impressione brasiliane, sym.
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for orch., 1st series (1917), 2nd series (1924), 3rd series (str.) (1931) Ballata delle gnomidi (1918–20) Pines of Rome ( Pini di Roma) (1923–4) Rossiniana (from Rossini pf. by Rossini (1919) Belkis, Regina di Saba (1930–1).ORCH.: Notturno (1905) Sinfonia drammatica (1913–14) Fountains of Rome ( Fontane di Roma) (1914–16) Ancient Airs and Dances, transcr.
works:OPERAS: Re Enzo (1905) Semirama (1910) Belfagor (1921–2) La bella dormente nel bosco (1916–21) La campana sommersa (The Sunken Bell) (1923–7) Maria Egiziaca (1929–31) La Fiamma (1931–3) Lucrezia (1935).BALLETS: La Boutique fantasque (The Fantastic Toyshop) adapted from mus. Some of his most tender and exquisite work is to be found in his shorter vocal pieces. In his operas he reacted against Puccinian ‘realism’, but they are more impressive orchestrally than vocally. His mus., though based on classical forms, was influenced by the brighter colours of Rimsky-Korsakov and Strauss, and his symphonic poems are notable for their brilliant and luscious scoring. From 1903 to 1908 pursued career as violinist and violist and was pianist at Berlin singing-sch. and from 1901 studied with Rimsky-Korsakov, then in Berlin with Bruch, 1902. composer, conductor, string-player, pianist, and teacher. Respighi, Ottorino ( b Bologna, 1879 d Rome, 1936).
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